Filed 17 October 2026
✦ CultureAnalysis

When Garfield briefly shifted into a horror comic

For one week in October 1989, Jim Davis's daily newspaper comic Garfield took a surreal, terrifying turn that still haunts readers today.

For the vast majority of its publication history, Jim Davis’s Garfield has operated as a predictable gag-a-day strip. Relying on familiar routines centered around gluttony, laziness, coffee, and an orange cat’s interactions with Odie and Jon, the comic deliberately embraces the mundane. However, rare departures from this formula have occasionally introduced darker or more experimental tones into the canon, most notably during an October 1989 story arc often called “Alone.”

The “Alone” story arc

Beginning on October 23, 1989—the week leading up to Halloween—readers opened their newspapers to a drastically altered visual and narrative style. Davis abandoned his standard flat two-dimensional layouts in favor of moody backgrounds and Dutch angles. In the sequence, Garfield wakes up to discover that he is entirely alone in an abandoned house, with Jon and Odie missing and the environment appearing as though it has been deserted for years.

The strips lean heavily into existential dread. By October 28, the narrative explicitly addresses mortality, noting that Garfield is confronted by “the inevitable process called ‘time’” and relies solely on denial. Following a frantic panic, Garfield seemingly returns to the present day with Jon and Odie, closing the brief arc with a narrator’s note on the powerful nature of human imagination.

Creator intent and fan theories

Reflecting on the storyline in the 1998 anniversary collection 20 Years & Still Kicking, creator Jim Davis explained his motivation behind the experiment. Writing during a Halloween writing session, Davis stated that he wanted to scare people by focusing on a fundamental fear of being alone, noting that reader reactions ranged from enthusiastic approval to concern over whether it signaled a permanent shift in tone.

Despite returning to its standard comedic formula immediately afterward, the surreal week of strips left a lasting impression. Online pop culture discourse periodically rediscovers the 1989 arc, fueling persistent fan speculation that the narrative was never resolved. A popular fan interpretation suggests that the sequence implies every subsequent strip has merely been a delusion experienced by Garfield as he wanders through a cold, abandoned house.

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